![]() ![]() While sensor size is easy to determine by a quick look at the tech specs, other aspects that play a role in food photography aren’t as easy to pinpoint. An entry level DSLR or mirrorless camera, when paired with the right lens, will still get that soft background-but you’ll get more with a full frame sensor. It’s easier to get that out-of-focus background with a larger sensor. For enthusiasts and food bloggers though, the APS-C or even Micro Four Thirds sensor is usually plenty of resolution to work with.īu the sensor isn’t just about resolution-it also plays a role in the depth of field (or how much of the image is in focus). Professional food photographers are better off with a full frame camera, so they can print large with no problem. That crop or APS-C sensor is larger than a micro four thirds mirrorless sensor, which is larger than a compact camera. A full frame sensor, like the one on the Nikon D750, offers more resolution than a crop sensor like the entry-level D3300. The first two are largely dependent on the sensor size. You can save a big chunk of change if you consider what really matters in food photography (at least in terms of camera specs): resolution, depth of field and color. RSVP Today.įood photography is still life photography-and you really don’t need 10 fps to shoot a still subject. Join us to learn everything Photoshop during Photoshop Week 2018 with 20 seasoned experts from the field. Want to learn more about food photography gear, shooting and processing? Steve Hansen’s Getting Started in Professional Food Photography course was amazing! Here’s why the best cameras and lenses for food photography aren’t necessarily the best cameras and lenses on the market-and what you need to look for instead. ![]() But here’s the thing: while spending $6,000 on the Nikon D5 or Canon 1D Mark II will get you great food photos, you can also get great food photos with an entry level camera with the right lens. With this in mind, 2019 could prove to be a decisive year, especially for a company like Canon, who have arguably not done enough in 2018 to avert people’s gaze from Nikon and Sony, at least when it comes to full-frame mirrorless.Just like a chef needs a great pair of knives, a food photographer needs a solid camera and a good lens (or two). Sony plays its cards closer to its chest than most, and is sure to have been watching both Canon and Nikon closely, so its next moves are difficult to predict, but they will be determined not to let either of these two older manufacturers regain too many mirrorless miles. What lies ahead?Īs with Nikon, Canon has launched a line-up of lenses to work natively with the new lens mount of the EOS R, the ZF series, but its roadmap is less clear than that of its rival, but it seems that, at some point in 2019, three f/2.8 lenses will be announced, in the form of a wide-angle zoom, a telephoto zoom, and a prime optic. Of course, in the real world, the sensor found in the Canon is much more than most people will ever require or even desire in terms of resolution, but in terms of leading the pack, it seemed that clear that this mantle belonged to Nikon. ![]() ![]() However, Canon’s equivalent, the full-frame Canon EOS R, arrived a week or so later to comparatively little fanfare, and crucially, less decisively positive acclaim (but still a device that found its way into our best Canon camera guide) and a 30.3-megapixel sensor that fell a little short of the Nikon Z7’s 45.7-megapixel sensor. Speculation remained rife that a full-frame mirrorless model was on its way, though, especially when, during the middle of the year, Nikon launched a teaser campaign for what transpired to be not one but two full-frame mirrorless cameras, in the form of the Z7 and Z6. Neither of these cameras was exactly a headline grabber, and instead it was the innovations presented by the Speedlite 470EX-AI, featuring genuinely intriguing and effective auto functionality to take the guesswork out of bounce flash, that drew most attention at a press preview in London in February.Īlso launched at this time was another M-series camera, the 4K-enabled EOS M50, that demonstrated that Canon still had a definite eye on mirrorless, but as a 24.1-megapixel APS-C model, it was never going to provide any competition to Sony. These APS-C sensor cameras, 24.1-megapixels and 18-megapixels respectively, Full HD 1080p video and sub-£400 prices appeared to be their chief selling-points. Like Nikon, most expected Canon to move into the latter market in 2018, but the year began with the release of two traditional entry-level DSLRS, in the form of the EOS 2000D and the EOS 4000D. Its exploits into the world of mirrorless began in 2012 with the first EOS M, but this series of cameras could match neither Fujifilm’s Leica-esque aesthetics or Sony’s full-frame sensor size, as ushered in by the full-frame a7 in 2013. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |